Born in Indonesia of French parents, and brought up in Australia and France, Sophie Masson is the award-winning and internationally-published author of over 60 books for children, young adults and adults, published in Australia and many other countries. Among these are her bestselling historical novel for children, The Hunt for Ned Kelly(Scholastic Australia), which won the Patricia Wrightson Prize for Children's Literature in the 2011 NSW Premier's Literary Awards. She has also written four popular YA romantic thrillers under the name of Isabelle Merlin. Under the name of Jenna Austen, she has also published two romantic comedies for tweens and early teens.
1914, launch title of the Australia’s Great War series (Scholastic 2014)
set in Central Europe, France and Belgium, is the second novel Sophie has
written about World War One, with the first being My Father's War, (Scholastic 2011) set in the Somme in 1918. She is
currently researching material for a future novel set in World War Two.
Sophie is currently undertaking a PHD in
Creative Practice at the University of New England, in northern NSW. She is also
one of the founding partners and co-director in small-press publishing house,
Christmas Press, www.christmaspresspicturebooks.com,
and its imprints, Eagle Books and Second Look.
Website: www.sophiemasson.org
Blog: www.firebirdfeathers.com
1914
(Australia’s Great War, Scholastic
Australia 2014)
ISBN 9781743622476
Author: Sophie Masson
A
small black bottle or a torch came sailing through the air, and landed on the
side of the car, close to the Archduke. An instant later came a terrific bang,
the road exploded in a shower of dust and stones, and tiny sharp things went
flying through the air like angry bees.
In June 1914, Louis and his brother Thomas
are enjoying the European summer in a small town near Sarajevo. In the shadow
of the assassination of the heir to the Austrian throne, the world erupts into
war and Louis' life changes forever. Old Europe is torn apart and Louis finds
himself in the midst of his own battle - and fighting for the truth in war
means that sometimes even your own side is against you.
Teacher’s Notes 1914:
My
Father’s War
By Sophie Masson
(My Australian Story, Scholastic Australia
2011)
ISBN 9781741698282
Author: Sophie Masson
It
scares me a lot, thinking of Dad out there, far away in that dangerous,
terrible place, wondering how it will be when he comes back-if he comes back,
that is . . .
Annie’s dad has been away for two years,
fighting on the Somme battlefields in northern France. For months there has
been no word from him, no letters or postcards. Annie and her mother are sick
with worry, so they decide to stop waiting-and instead travel to France, to try
to find out what has happened to him. There she experiences first-hand what war
is like, as she tries to piece together the clues behind her dad's
disappearance. Will Annie ever see her father again?
Teacher’s Notes My Father’s War:
Interview with Sophie Masson
Name a positive outcome while you were writing the book before or after:
Name a positive outcome while you were writing the book before or after:
World War One had always been something of
a blur to me before I started writing these books—it felt like so long ago and
hard to understand. I knew quite a lot about World War Two, not only from books
but because both of my parents were children in France during the German
Occupation, and told us lots of stories about the actual lived experience of
war. World War One to me was seeing war memorials in French villages and
Australian small towns with lists of the dead and missing soldiers that went on
and on. But as I started researching first My Father’s War and then 1914, I
began to feel much closer to the people who had lived through this terrible
war, and to understand a little more about the crazy sequence of events that
sent the world into a catastrophic war that seemed impossible to stop…And doing
the research on the ground, in northern France especially, made it all become
so real and so emotionally affecting. Both books blend my two main cultural
influences: French and Australian, and that also felt like a very positive
thing, especially as the ties between France and Australia forged during that
terrible time are still very strong, particularly in the Somme region of
northern France, where they have a saying, N’oublions
jamais l’Australie : ‘Let us never forget Australia’ .
Name something sad/tragic you discovered:
So many sad and tragic things in this
terrible war! But something that really stood out for me was the fact that the
event that triggered off WW1, the assassination in Sarajevo of the heir to the
Austro-Hungarian throne, the Archduke Franz Ferdinand and his wife Sophie, happened
almost by accident. In fact, there were several Black Hand terrorists in
Sarajevo that day and a bomb had already been thrown at the Archduke but had
missed…the bomber had been captured and all the others had scattered. The
Archduke had insisted on carrying on his tour of the city—then the driver took
a wrong turn down a street, the car stalled in front of a café and as the
driver tried to restart the car, a young man who had just finished his lunch
came out of the café, pulled a gun from his pocket and shot the Archduke and
his wife at point-blank range. That young man was Gavrilo Princip, a Black Hand
member who had given up on his mission: until the car stalled in front of the
café and he saw who was in it. A tragic twist of fate indeed.
Name something interesting you discovered:
When you think of the way WW1 was
conducted, you tend to think of trench warfare, with all that entails. But the
war started and finished outside of
the trenches—in the early part of the war, in 1914, armies faced each other
across open ground and in the last parts of the war, in mid-late 1918, trenches
were abandoned for more guerrilla-like tactics in woods and in townships.
Trenches began to be used in late 1914, at least on the Western Front (they
were never really a feature in the Eastern Front) as protection for soldiers
because the new heavy weapons decimated troops on open ground. It was thought
more lives would be preserved that way—which seems ironic to us now of course.
In the last part of the war, military strategy had changed and trench warfare
faded away, replaced by more targeted guerrilla-style attacks using woods and
buildings as cover.
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